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The Nightingale

The Asylum

The Bizarre Modern Reality of The Simpsons

7 Commandments of Film Editing

Kiss in Cinema

The Corridor

Runtime

How The Shawshank Redemption Humanizes Prisoners

Fairytales of Motion

Saul Bass’s Movie Posters

Why All Movies From 1999 Are The Same

The Problem Solving of Filmmaking

… so he starts singing

Lubezki: El personaje y el espacio

Knitted criticism

The Making of Migrant Mother

Ombre / Ingmar Bergman

A sorte dos danados

Visual Disturbances

Sinclair’s Soldiers in Trump’s War on Media

Melodramatic Railway Sounds

Concussion Protocol

Touch

The Overlook Hotel

Under Construction

The Grandmaster of Kung Fu Films: Lau Kar-leung

Jan Bot

The Pure Necessity

Variations on a scene

This Video Essay Was Not Built on an Ancient Indian Burial Ground

Abduction as Romance

Radio 1 Rescores Drive

Killing Klaus Kinski

Beyond Action

Zodiac: The Unofficial Reading List

Series of Dreams Interwoven by Ringing Bells

Evil Dead: Loving the Unnatural

Flânerie 2.0

Melville, Delon & Co

Clint Eastwood’s House of Horrors

Being the Boss

Inception – A Surrealist Tale

David Lynch – The Treachery of Language

All That Jazz: Fosse Time

Tramp The Dirt Down

Lego Movie

Shining360

Goodbye Uncanny Valley

Koyaanisqatsi and Its Complex Legacy

The universal language of film music

Every NYT Front Page

Star Tribute Videos

Zodiac and the digital cityscape

Opening choices in Notorious

Die Hard Editing Concepts

In Praise of Blur

Game of Thrones’ Dragon Battle

Dunkirk’s Shepard Tone

Films Desiertos

Tension and Horror in Comic Strips

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