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Film Noise
Spielberg & Surveillance
The World and Its Image
The Empty Screen
Right Now Then Wrong
Death at Work
The King Kong Commentary
The Cinematic Control Room
The Sound of Horses
Based on a True Story?
Ebert’s Stormy Monday Review
Impulse
Dr. Phil without dialogue
Sunspring
Barbaric poetry
ADAPTATION.’s Anomalies
Béla Tarr’s Motifs
John Carpenter’s POV
Knowing Sounds
Fritz Lang
The Power of Padding
Vertical Framing
A Theory of Film Music
Roman Polanski: A Cinema of Invasion
Why Is Cinema
Superman Redux
Bach Visualized
Haunted Memory
What is Lynchian?
Radiohead’s Daydreaming
Akira Kurosawa – Composing Movement
Country Song Mash-up
The Sexual Transgressions of Carlos Reygadas
Debra Paget, For Example
Notes To a Project on Citizen Kane
That Man Behind the Curtain
Midnight Special
Gestos do Realismo
Man Woman Mirror
PTA: A Chronological Timeline
Impossible Mission Force
The Maze of Susan Lowell
How Hitchcock Blocks a Scene
Why Framing Matters
Questioning the Human Machine
The art of nonfiction
Stardust
Secret Gateways
Variation on the sunbeam
Museums on Film
Movies Are Mirrors
Lateral Character Movement
Capturing the Moment
Fear Itself
The Dark Galleries
Raising Cain Re-Cut
Don’t You Recognise Me?
Fembot in a Red Dress
Construction of a Heist
The History of the Future
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