Filmscalpel | Best practices

Cadet Kelly has a gay agenda (but not in a fun way)

Inhuman Figures: Robots, Clones, and Aliens

Special Effectivities

The Invisible Horror of The Shining

Eye / Contact

Why don’t the cops fight each other?

Montegelato

Silence in The Passionate Friends

A Supercut of Supercuts

Invocaciones: Instrucciones crowlianas

From The Flicker to Gaspar Noé

Marion Cotillard Doesn’t Exist

The representation of rape on screen

Cinema Turns: Catalan Creative Documentary

Gyres 1-3

What isn’t a video essay?

Under the White Mask

Dumbass

The Elephant Man’s Sound, Tracked.

Beyond the Catchy Tunes

Swings Don’t Swing

The Art of Video Game Photography

The Rising of the Moon

Desegregating the Two Shot

John Cleese + Anthony Braxton

Lookalike: The faces of Anna Karina & Nadia Sibirskaïa

Watching the Detectives

How Snapchat Uses Your Face

Every Covid-19 Commercial is Exactly the Same

Feeling and Thought as They Take Form

After Before Midnight

Nothing a Little Soap and Water Can’t Fix

Film Dialogue

Cinderella +++

Chinese Animation: In Search of a Style

The movie GIFs that keep on giving

From Void to Memory

I Can’t Stop Watching Contagion

A history of silence: The cinema of Lois Weber

Millionaire Worthy TV

The New Monuments

Me Singing Stay By Rihanna

Manufactured Discontent and Fortnite

In So Many Words

Nothing at Stake

Twilight Zone: Planet of the Apes

Batman Arkham Knight – No Mesh Swapping

GIFaanisqatsi

Glass House

The Nightingale

The Asylum

The Bizarre Modern Reality of The Simpsons

7 Commandments of Film Editing

Kiss in Cinema

The Corridor

Runtime

How The Shawshank Redemption Humanizes Prisoners

Fairytales of Motion

Saul Bass’s Movie Posters

Why All Movies From 1999 Are The Same

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