Best practices – Filmscalpel

John Cleese + Anthony Braxton

Lookalike: The faces of Anna Karina & Nadia Sibirskaïa

Watching the Detectives

How Snapchat Uses Your Face

Every Covid-19 Commercial is Exactly the Same

Feeling and Thought as They Take Form

After Before Midnight

Nothing a Little Soap and Water Can’t Fix

Film Dialogue

Cinderella +++

Chinese Animation: In Search of a Style

The movie GIFs that keep on giving

From Void to Memory

I Can’t Stop Watching Contagion

A history of silence: The cinema of Lois Weber

Millionaire Worthy TV

The New Monuments

Me Singing Stay By Rihanna

Manufactured Discontent and Fortnite

In So Many Words

Nothing at Stake

Twilight Zone: Planet of the Apes

Batman Arkham Knight – No Mesh Swapping

GIFaanisqatsi

Glass House

The Nightingale

The Asylum

The Bizarre Modern Reality of The Simpsons

7 Commandments of Film Editing

Kiss in Cinema

The Corridor

Runtime

How The Shawshank Redemption Humanizes Prisoners

Fairytales of Motion

Saul Bass’s Movie Posters

Why All Movies From 1999 Are The Same

The Problem Solving of Filmmaking

… so he starts singing

Lubezki: El personaje y el espacio

Knitted criticism

The Making of Migrant Mother

Ombre / Ingmar Bergman

A sorte dos danados

Visual Disturbances

Sinclair’s Soldiers in Trump’s War on Media

Melodramatic Railway Sounds

Concussion Protocol

Touch

The Overlook Hotel

Under Construction

The Grandmaster of Kung Fu Films: Lau Kar-leung

Jan Bot

The Pure Necessity

Variations on a scene

This Video Essay Was Not Built on an Ancient Indian Burial Ground

Abduction as Romance

Radio 1 Rescores Drive

Killing Klaus Kinski

Beyond Action

Zodiac: The Unofficial Reading List